Ear Trumpet Labs Introduces Microphone Designed Exclusively for Upright Bass

November 1 2016, 04:00
Ear Trumpet Labs (ETL) announced Nadine; the newest addition to the company’s expanding product line, in this case a microphone designed specifically for upright bass. Nadine is a medium-large diaphragm condenser microphone that excels in capturing the natural acoustic sound of the upright bass, picking up as much of the surface sound as possible while highlighting its rich low end. With great feedback rejection, it is perfect for live players to use with stage monitors. 
 

As always, the boutique microphone company from Portland, OR, has tested the new model with performing musicians and recording engineers prior to launch. Early admirers of Nadine include Daniel Kimbro (Jerry Douglas Band, Audio Engineer/Producer WDVX Blue Plate Special), Zach Newton (FOH Jerry Douglas Band & The Earls of Leicester) and the microphone’s namesake, Nadine Landry (Foghorn String Band).

Philip Graham, founder of Ear Trumpet Labs, knew that there was room in the marketplace for a great upright bass microphone. “For years, upright bass players have been asking me if I could do anything to help them get natural sound from their instruments when they need to be amplified live. My friend Nadine Landry (Foghorn String Band) finally prevailed on me to experiment with some of my existing models to find the best sound,” Graham notes. “Of course we named the resulting microphone the ‘Nadine’, and we've been blown away by the response from every player and engineer who has tried it out. We think we have built a great new tool that provides the most natural bass sound with great feedback control, and we’re really excited to be able to offer it to all bass players.”

As with all ETL microphones, the design is equally as important as the sound quality. Graham wanted to devise a mounting system that was both secure and could be easily removed to accommodate touring musicians. Physically, the mic is separated into the body, which securely straps to the tailpiece with velcro elastic, and the head, which mounts easily between the strings above the tailpiece using a rubber grommet. There is a 14-inch Mogami cable that connects the two parts, making it easy to place the mic on any bass and transition from instrument to instrument.

From the muse that inspired the new design, Nadine Landry (Foghorn Stringband and Cajun Country Revival), comes the following coment: “I’ve used it at outdoor festivals, concert halls, bar gigs, all kinds of venues and sounded great everywhere! Unlike pickups, the Nadine makes your upright bass sound like an upright bass - the way it's supposed to sound! With a sleek design and an easy installation setting right on the bass itself, the Nadine is the perfect microphone for upright bass players wanting to maintain the integrity of acoustic sound. The whole inventory of Ear Trumpet Labs products has made quite the impression on the acoustic world and the Nadine is no exception. Hurry up, get yours now, you can thank me later!”

Daniel Kimbro (Jerry Douglas Band, Audio Engineer/Producer WDVX Blue Plate Special) also says: “I’ve noticed that with most “bass” mics I use the pickup for the bottom, and the mic to get some of the upper mid range stuff back that I usually dial out of a piezo pickup… With the Nadine though, my favorite sounds are down there in the lower, creamy chocolate places. It's so, so, so nice with the bow.”

Ear Trumpet Labs is currently accepting orders for Nadine, via their website with a waiting list. For those who order before November 8th there is guaranteed delivery by Christmas. 
www.EarTrumpetLabs.com
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